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Shark Bytes kicks in during a certain sequence of the endgame - specifically, the back half of the climb out of the facility, in which you secure the Energy Core and get to the elevator, kicking butt all the way.The brokenness of the track is a perfect accompaniment for Agent 3 being out of control. This is the tune for Agent 8's one-on-one with the Brainwashed and Crazy Agent 3. "Splattack! (Octo)", the techno-heavy remix of Splatoon 1's main theme."#14 crush", which plays in the puzzle platforming levels (like "Ride with Me Station") is an electro swing tune that's as catchy as it is oddly eerie, thanks in no small part to some wonderfully goofy vocals."#8 regret", which plays during the 8-Ball levels is a relaxing and unexpected Vaporwave track with minimum instruments.Nintendo released a mix of some of the songs heard in the Octo expansion, ostensibly (octensibly?) made by an Octoling DJ called dedf1sh, and it is all amazing.In the game itself, it kicks in around the time you begin arming yourself to escape from the facility for real. It takes a lot of cues from 80s techno and Dirty Rap to give Agent 8's campaign a very unique feel compared to the rest of the setting. Nasty Majesty, the theme for Octo Expansion, Splatoon 2's first DLC, is easily the hardest music to ever be associated with Splatoon.
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